|
Traditional Flamenco Guitar Vol. I (ISBN:0-9664134-0-7) 219 pages
Contents:
p.
7
|
Learning to Play the Flamenco Guitar |
p.
50
|
Arpeggio
Study #1
|
p.
12
|
Terms of Speed
|
p.
52
|
Arpeggio
Study #2 |
p.
14
|
Classification of Songs |
p.
54
|
Tremolo
Technique
|
p.
15
|
Explanation of the Tablature System |
p.
55
|
Tremolo
Study
|
p.
18
|
Symbols & Time Values |
p.
65
|
Sevillanas
#1
|
p.
22
|
The
Mechanical Cejilla
|
p.
70
|
Sevillanas
#2
|
p.
22
|
Cejilla
with the Index Finger |
p.
74
|
Verdiales
|
p.
23
|
Picado
Technique |
p.
91
|
Fandangos
de Huelva
|
p.
24
|
Picado
Study |
p.
108
|
Alegrias |
p.
35
|
Technique
of the Tap |
p.
133
|
Campanas
de Granada
(Zambra)
|
p.
39
|
Rasgueado
Technique |
p.
154
|
Bulerias
|
p.
42
|
Legato
Technique #1 |
p.
167
|
Cañaveral
(Rumba Flamenca) |
p.
43
|
Legato
Technique #2 |
p.
192
|
Tango
Andaluz
|
p.
44
|
Legato
Technique #3 |
p.
211
|
Mi
Favorita |
p.
45
|
Legato
Study |
p.
217
|
Chord
Positions |
p. 49
|
Techniques
of Arpeggio |
|
|
Traditional
Flamenco Guiter Vol. II
(ISBN:0-9664134-1-5)
143
pages
Contents:
p.
8
|
Terms
of Speed |
p.
31
|
Techniques
of Arpeggio |
p.
10
|
Classification
of Songs |
p.
32
|
Arpeggio
Study |
p.
11
|
Explanation
of the Tablature System |
p.
36
|
Sevillanas
#1 |
p.
14
|
Symbols
& Time Values |
p.
40
|
Sevillanas
#2 |
p.
18
|
The
Mechanical Cejilla |
p.
44
|
Malagueña
Clasica para Baile
|
p.
18
|
Cejilla
with the Index Finger |
p.
52
|
Zapateado
|
p.
19
|
Picado
Technique |
p.
68
|
Colombianas |
p.
20
|
Technique
of the Tap |
p.
78
|
Garrotin
|
p.
24
|
Rasgueado
Technique |
p.
94
|
Fandangos
de Almeria |
p.
27
|
Legato
Technique #1 |
p.
110
|
Farruca
Danza
|
p.
28
|
Legato
Technique #2 |
p.
126
|
Peteneras |
p.
29
|
Legato
Technique #3 |
p.
138
|
Description of Musical Selections
|
p.
30
|
Tremolo
Technique |
|
|
Traditional Flamenco Guitar Vol. III (ISBN:
0-966134-2-3) 149 pages
p.
8
|
Terms
of Speed |
p.
30
|
Techniques
of Arpeggio |
p.
10
|
Classification
of Songs |
p.
31
|
Tremolo
Technique
|
p.
11
|
Explanation
of the Tablature System |
p.
32
|
Tremolo
Study
|
p.
14
|
Symbols
& Time Values |
p.
36
|
Tanguillo
|
p.
18
|
The
Mechanical Cejilla |
p.
46
|
Bahia de
Monterey (Rumb Flamenca)
|
p.
18
|
Cejilla
with the Index Finger
|
p.
58
|
Tientos
|
p.
19
|
Picado
Technique
|
p.
68
|
Recuerdo
a Madrid
(Caracoles) |
p.
20
|
Rasgueado
Technique #1
|
p.
84
|
Serranas
|
p.
24
|
Rasgueado
Technique #2 |
p.
94
|
Alma
Flamenca (Soleares) |
p.
27
|
Legato
Technique #1 |
p.
106
|
Siguiriyas
|
p.
28
|
Legato
Technique #2 |
p.
128
|
Fiesta Gitana (Bulerias)
|
p.
29
|
Legato
Technique #3 |
p.
144
|
Descriptions of Musical
Selections
|
|